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Dancing the music

The time from our Saturday milonga to the Chester class on Monday seems an age. Of course we have a social dance on Sunday in Connah’s Quay, but these dances have now become just a fill in to the main event.

There is the usual scramble before we depart, ensuring we have the right shoes (I need my heels in case I have to follow). Then we are off again. Outside the Groves we see Katrina on her mobile, I say “hurry up we must dance before the class”. As there is only quarter of an hour before the class starts, I want to have a chance to make things up as soon as possible, but she gesticulates and mumbles something while carrying on with her phone call. That was the last I saw of her that night, what happened and why she did not come in I do not know, I do hope I get another chance to dance on Thursday.

When the beginners’ class starts there is again a shortage of women, so my heels will again come in handy. Some of the men looked rather worried, this is a fairly new group and they would not believe that I was going to dance the woman’s part. As things turned however a couple of women arrived and I could then join as a man.

The problem as always with the early class is that people arrive after the class starts and soon more men arrived, so after a short period sat out I again rejoined as a follower. The guy who had looked so worried was after all soon dancing with me.

Things continued fluctuating throughout the beginner’s class but in the main after this I led.

Something that I always notice is the difficulty that ballroom dancers have with tango. The fact that they are acquainted with the mechanics of motion and are able to move with the music seems to help little. Ballroom dancers lead from the hip and this posture of leaning back is totally at odds with the forward posture adopted by tango dancers. While I acknowledge this is Sharon’s class, her concern is with the whole class and can not devote too much time to one person. Maybe next week I can spend some time with the ballroom ladies and get their posture sorted.

In the improvers class we again worked on the giro, my problem as always is steps, so I have to take care to do the move that Sharon has taught and not just make something up as I usually do, and run the risk of confusing every one.

We also spent some time moving to the music, this is something all the British have trouble with, unlike the Spanish and Argentines, who will move to any music without training and still look better than us. We can learn steps and we can do them to the beat, but this is not the same as interpreting the music through dance. Learning that you cannot do the same thing to Canaro as you would to DiSarli is not something many teachers here put emphasis on, I take my hat off to Sharon for trying, and daring to be different.

As usual at the end we had some practice time. I managed to dance with most of the women, but it was only Sharon with whom I managed to redeem my self for Saturday.

I hope to try again Thursday and catch up with those I have missed.

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Filed under Dance Venues and Schools, milonga